Artists in Conversation: Tanya Lukin Linklater and Raven Chacon

Tuesday, November 2, 2021 at 6:00pm
Zoom

 

 

FREE! RSVP required for access to virtual event.

 

This online event features artist Tanya Lukin Linklater in conversation with composer, performer, and installation artist Raven Chacon from Fort Defiance, Navajo Nation. The artists will discuss the concepts of the score as related to their work.

This event is held in conjunction with the exhibition The Language in Common, on display in the Ezra and Cecile Zilkha Gallery from Tuesday, September 14 through Sunday, December 12, 2021. Gallery hours are Tuesday through Sunday from Noon to 5pm. For more information and related events, visit the Ezra and Cecile Zilkha Gallery exhibition page.

For more information:

 

https://www.wesleyan.edu/cfa/events/2021/11-2021/11022021-artists-in-conversation.html

 


Tanya Lukin Linklater is participating in Counter Cartographies: Living the Land

On view Oct. 8, 2021 — Sept. 4, 2022 at Anchorage Museum 

 

Counter Cartographies: Living the Land presents contemporary artworks that examine our relationship to land, proposing alternative ways of thinking about and experiencing the landscape around us. Artists draw attention to the way culture, identity, emotion, ancestry, displacement, power and colonization shape and inform our understanding of land. 

Counter Cartographies expands conventional understandings of cartography (mapping), moving beyond two-dimensional Western-style maps. The artists in this exhibition present forms of mapping that are impermanent or experiential through artworks featuring elements of storytelling, dance and sound. Many of the works challenge existing power structures and invite us to consider how language, memory, and culture shape the way we relate to the land around us. They articulate global challenges, from climate change to geopolitical conflict, and encourage us to imagine more resilient futures. 

 

This yearlong exhibition is presented through diverse voices and formats, and includes in-museum and outdoor installations, film, artist residencies, and public programming. 

We're gathering cultural, historical, and emotionally affecting stories and images not typically included on maps or in guidebooks. 

Social activism inspires the artists included in the exhibition, many of whom work in sculpture, large-scale installation and performance. Among them are multidisciplinary artist Christina Seely, who addresses complexities of both built and natural global systems, and Grammy-nominated artist and musician Stuart Hyatt, whose projects transform field audio recordings into musical works.

 

For more information, see:

https://www.anchoragemuseum.org/exhibits/counter-cartographies-living-the-land/

 


The official companion to the 2021 New Museum Triennial, a global survey exhibition of today's up-and-coming artists

 

The much-anticipated fifth New Museum's Triennial exhibition, opening in October 2021, volume, curated by Jamillah James and Margot Norton, is a signature survey of emerging artists from around the world. In this moment of profound change, where structures once thought to be stable have been revealed to be precarious, the New Museum's highly anticipated 2021 Triennial, curated by Jamillah James and Margot Norton, showcases 40 artists and collectives re-imagining traditional models, materials, and techniques beyond established institutional paradigms. Their works explore states of transformation, calling attention to the malleability of structures and the fluid and adaptable potential of both technological and organic media. This book includes essays by prominent curators and interviews with each of the artists and collectives featured in the exhibition. accompanies the New Museum's much-anticipated fifth Triennial exhibition, opening in October 2021 in New York City, spotlighting an exciting group of 40 artists and collectives, each selected for their ability to invoke ideas of global concern - including the questioning of accepted narratives and imagining new creative paths for the future.

 

This 320 page text will be published by Phaidon Press. 

 

For more information or to pre-order. 

 

https://www.phaidon.com/store/art/soft-water-hard-stone-9781838664039/


 

Karen Pheasant-Neganigwane and Tanya Lukin Linklater will share insights into their practices as artists, educators, and writers working within Indigenous performance methodologies. Reflecting on their ongoing relationships with one another, place, language, and those who have shaped their work over time, Pheasant-Neganigwane and Lukin Linklater carefully consider their personal processes of situating embodied practices in community and in the arts. They will speak to the Indigenous performance histories that ground their contemporary approaches, as well as the role of intergenerational exchange as a mode of learning. The conversation, with moderator Clare Butcher, takes place ahead of Lukin Linklater’s contribution to the 2022 edition of the Toronto Biennial of Art and the Culture Days Creatives in Residence Program.

 

Taking place October 22 online. 

 

To register:

https://onculturedays.ca/tanya-and-karen-2021-oncd/

 


ARTISTS

Dr Léuli Eshrāghi
Tanya Lukin Linklater

Amrita Hepi
Stelly G
Sarah Biscarra Dilley

 

Wednesday 20 Oct - 2:00pm

 

LIVE FUTURES: KIN-SHIP-MATTER   

Curator
Dr Léuli Eshrāghi

 

This conversation brings together key voices working across performance, politics and cultural restitution to consider the transformative potential of Indigenous knowledge systems and the activation of the collective through gathering. 

 

How might the renewal and reinstatement of Indigenous knowledge generate ancestral-futurist kinships and possibilities beyond the carceral, the fascist and the hateful? How much might we gain by restoring ceremonial-political gatherings that centre sovereignty in shared processes, shared feasts, shared care for lands, waters and airs? 

 

Afflicted as we are by the intersecting crises of habitat, disease, race hierarchy and extreme violence, this conversation offers windows into humility and connection. It is inspired by the continuity of freshwater courses despite extractive industries and settler colonies, and of saltwater bodies reaching from Gadigal Country to every shore of the Great Ocean. 

 

Duration: 2 hours 

 

LIVE FUTURES is a series of curated public conversations that explore the pivotal role of artists in defining the new civic life we are entering, in a sustained period of disruption and change.

The LIVE FUTURES platform celebrates the insight of artists, as thought leaders and critical players in the new social, cultural, and economic paradigms that are being built and renewed in the wake of the pandemic and other global events. Accessible to national and global audiences, LIVE FUTURES will complement the voices of artists with those of specialists from other disciplines in order to dive deeply into the possibilities of our future world.

All LIVE FUTURES events will be live streamed on Vimeo, and embedded on our website. All the events in the LIVE FUTURES Series will be available on demand for 7 days after they air, through our digital experimental art channel LIVE ON-THE-LINE.

 

https://performancespace.com.au/program/live-futures-kin-ship-matter-live-on-the-line/


This online event features a poetry reading by Tanya Lukin Linklater. She will read from her first book, Slow Scrape (Anteism, 2020), which is, in the words of poet Layli Long Soldier, “an expansive and undulating meditation on time, relations, origin and colonization.”

This event is held in conjunction with the exhibition The Language in Common, on display in the Ezra and Cecile Zilkha Gallery from Tuesday, September 14 through Sunday, December 12, 2021. Gallery hours are Tuesday through Sunday from Noon to 5pm. For more information and related events, visit the Ezra and Cecile Zilkha Gallery exhibition page.

 

To register:

https://www.wesleyan.edu/cfa/events/2021/10-2021/10062021-lukin-linklater.html

 


You sit in a garden

September 23 - November 21, 2021

Critical Distance Centre for Curators (CDCC) – Fall 2021 Exhibition

Artists: Tanya Lukin Linklater, Laurie Kang, Lila De Magalhaes, Nona Inescu, Jenine Marsh
CuratorChris Andrews

 

Dear visitor,

Welcome to our shrouded backyard, this garden filled with holes. It was aerated earlier: the earth turned inside out. Now it sits in small amulets across the lawn, left permeable.

You have to know that when this garden was conceived, I had been walking barefoot on a reflexology footpath in the early morning; a circular path with stones protruding from its concrete floor. After stripping off my shoes and socks, I carefully put one foot down after the other onto the stones. They pushed back like they were trying to tell me something – offered themselves as a gift to each bone that inhabits the foot. 

I propose this space as a sensory garden; little pieces of the footpath evaporated and distilled. Each artwork here proposes a way to live, with its own ontology, and I take notes from every one. These works present the body’s overwhelming capacity for potential, both for things that propose to harm (illness, infection, disability), and those that support (health care systems, healing touches, assistive technologies). You sit in a garden sees this all become entangled with different definitions of life itself.

 

You sit in a garden brings together the work of Tanya Lukin Linklater, Laurie Kang, Jenine Marsh, Lila de Magalhaes, and Nona Inescu. Each included work proposes a new bodily form, movement, or way to touch, pushing for an expanded definition of what a body should be.

 

For more information:

https://www.criticaldistance.ca/program/you-sit-in-a-garden/#more-15564


 

Calling together 8 artists from various communities across Northwestern Turtle Island, Generous Acts gives a glimpse to the introspective process of thinking through the notion of self-care during a global pandemic.

 

Stepping outside the parameters of traditional exhibition processes, Ociciwan Contemporary Art Collective begun the developing Generous Acts by (virtually) gathering with the artists to facilitate conversations in regard to the direction that the exhibition would take. This divergence from colonial methodologies of curation allowed for the artists to have an equal say in the path that we would take together on this journey. The artists shared not only their struggles and personal experiences as creators during a tumultuous global pandemic, but also their pre-pandemic experiences of hailing from remote and often overlooked communities. We connected, laughed, and grew closer through our talks. We were given input and feedback about practices that they would like to see more of within the North American Art world.

 

Exhibition run: September 25, 2021 to December 4, 2021

Ociciwan, 10124 96 Street NW, Edmonton

 

http://www.ociciwan.ca/generousacts