Soundings, An Exhibition in Five Parts will open at Walter Phillips Gallery in Banff September 10, 2021.
How can a score be a call and tool for decolonization?
Soundings: An Exhibition in Five Parts features newly commissioned scores, performances, videos, sculptures and sound by Indigenous and other artists who respond to this question. Unfolding in a sequence of five parts, the scores take the form of beadwork, videos, objects, graphic notation, historical belongings, and written instructions. During the exhibition, these scores are activated at specific moments by musicians, dancers, performers and members of the public gradually filling the gallery and surrounding public spaces with sound and action.
The exhibition is cumulative, limning an ever-changing community of artworks, shared experience and engagement as it travels. Soundings shifts and evolves, gaining new artists and players in each location. Some artworks have multiple parts, others change to their own rhythm as the exhibition grows.
Soundings activates and asserts Indigenous resurgence through the actions these artworks call forth. This iteration of the exhibition includes works by Raven Chacon and Cristóbal Martínez, Sebastian De Line, Camille Georgeson-Usher, Maggie Groat, Kite, Germaine Koh, Aaron Leon, Tanya Lukin Linklater, Ogimaa Mikana, Chandra Melting Tallow, Peter Morin, Diamond Point and Jordan Point, Heidi Aklaseaq Senungetuk, Greg Staats, Olivia Whetung, and Tania Willard.
Soundings: An Exhibition in Five Parts is an exhibition curated by Candice Hopkins and Dylan Robinson, and organized by Agnes Etherington Art Centre, Queen’s University, Canada. The traveling exhibition is organized by Independent Curators International (ICI).
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