Christina Battle has written an essay on the exhibition, There is something in the way, which she curated for the Cold Cuts Festival in late March 2018, in Dawson City, Yukon.
- Weather
- Feel winter. When tea warms breath—throat, 2023
- The sky held me (rainfall on hands hair lips), 2023
- The sky held me, 2023 (excerpt of rehearsals)
- The sky held me, 2023 (excerpt of rehearsals)
- The sky held me, 2023 (excerpt of rehearsals)
- Hair Prints, 2022
- Hair Prints Rehearsals, 2022-2023
- Structures of sustenance, 1 and 2, 2023
- Held in the air I never fell (spring lightning sweetgrass song), 2022
- grassesgrassesgrasses, 2022
- go go, 2022
- Breastbone to sunrise, 2021
- This moment an endurance to the end forever, 2020
- This moment an endurance to the end forever, 2020
- This moment an endurance to the end forever, 2020 (Excerpt)
- This moment an endurance to the end forever, 2020 (Excerpt)
- Works in relation to ancestral and cultural belongings
- A gentle reassembly, 2022
- Flat vessels made by the hands of our grandmothers that we discern and decipher as potential messages of repair, 2019
- An amplification through many minds, 2019
- An amplification through many minds, excerpts
- An amplification through many minds, excerpts
- Untitled (for a rain gut parka made and worn near the Mackenzie Delta, Northwest Territories, collected by the Hudson’s Bay Company in 1924), 2019
- We wear one another, 2019
- We wear one another, 2019 [Excerpts of rehearsal]
- Attire for performance, We wear one another, 2019
- Indigenous architectures
- Spiritual Songs for Healing (2023)
- Indigenous geometries, 2019
- A song, a felt structure: We are putting ourselves back together again, 2019
- A song, a felt structure: We are putting ourselves back together again, 2019 [Excerpts of rehearsal]
- Text works, scored performances
- , not like us. Not like us, 2022
- Sensation is a circuit of experience, a circuit of the felt traveling in and adjacent to the body., 2022
- Vessel(s), 2021
- Slow Scrape, 2013-2020
- Slow Scrape and The Harvest Sturdies, 2014-2017
- Slow Scrape and The Harvest Sturdies, 2013-2017
- Untitled, 2016
- Untitled, 2016
- the the, 2014-2016
- the the, 2014
- mouchette, the 400 blows, ivan's childhood, 2013
- Orality
- The treaty is in the body, 2017
- The treaty is in the body, 2017 (excerpt)
- The treaty is in the body, 2017 (excerpt)
- The treaty is in the body (sister video), 2017
- How we mark land and how land marks us, 2017
- How we mark land and how land marks us, 2017
- ...you are judged to be going against the flow because you are insistent., Parts 1 and 2, 2017
- ...you are judged to be going against the flow because you are insistent., Part 2, 2017 (Excerpt)
- ...you are judged to be going against the flow because you are insistent., Part 2, 2017 (Excerpt)
- ...you are judged to be going against the flow because you are insistent., Part 1, 2017 (Excerpt)
- ...you are judged to be going against the flow because you are insistent., Part 1, 2017 (Excerpt)
- Performances/rehearsals in response to Indigenous art and dance histories
- They fall the ground beneath you, 2018
- They fall the ground beneath you, 2018 (excerpt)
- They fall the ground beneath you, 2018 (excerpt)
- Untitled (for Sonya Kelliher-Combs), 2018 [Excerpts of rehearsal]
- Untitled (for Sonya Kelliher-Combs), 2018
- Sun Force, 2017
- Sun Force, 2017 [Excerpts of rehearsal]
- Determined by the river, 2017
- A glossary of insistence, 2016
- He was a poet and he taught us how to react and to become this poetry Part 2, 2016
- He was a poet and he taught us how to react and to become this poetry, Part 2, 2016 [Rehearsal]
- An accumulation - A relief, 2016
- Alaska Native histories, languages, movements
- Event scores for Afognak Alutiit (abridged), 2016-2020
- Slay All Day, 2016
- Horse Hair Question 1 and 2, 2016
- Accompaniment, 2015
- grain(s), 2013
- In Memoriam, 2012
- eskimo kissing booth, 2012
- Site Sight, 2011
- Isuwiq-waq, 2009
- Early works
- BIO
- CV
- Contact
- News