I was invited to contribute to Inuit Art Quarterly's Summer Issue 2019 - Film. I chose to write about Blackfoot/Sámi filmmaker, Elle-Máijá Tailfeathers,’ 2014 film, Bihttoš (Rebel). This short essay is now available online.
- Performance
- The sky held me (rainfall on hands hair lips), 2023
- Hair Prints Rehearsals, 2022-2023
- A gentle reassembly, 2022
- A song, a felt structure: We are putting ourselves back together again, 2019 [Excerpts of rehearsal]
- A song, a felt structure: We are putting ourselves back together again, 2019
- Untitled (for Sonya Kelliher-Combs), 2018 [Excerpts of rehearsal]
- Untitled (for Sonya Kelliher-Combs), 2018
- Sun Force, 2017 [Excerpts of rehearsal]
- Sun Force, 2017
- How we mark land and how land marks us, 2017
- How we mark land and how land marks us, 2017
- Traces, 2017
- Slow Scrape and The Harvest Sturdies, 2013-2017
- He was a poet and he taught us how to react and to become this poetry, Part 2, 2016 [Rehearsal]
- He was a poet and he taught us how to react and to become this poetry Part 2, 2016
- A glossary of insistence, 2016
- An accumulation - A relief, 2016
- Constellation / conversation, 2016
- the the, 2014-2016
- Accompaniment, 2015
- grain(s), 2013
- North Saskatchewan River, 2011
- Installation
- Feel winter. When tea warms breath—throat, 2023
- grassesgrassesgrasses, 2022
- Held in the air I never fell (spring lightning sweetgrass song), 2022
- go go, 2022
- Breastbone to sunrise, 2021
- This moment an endurance to the end forever, 2020
- Flat vessels made by the hands of our grandmothers that we discern and decipher as potential messages of repair, 2019
- Indigenous geometries, 2019
- Attire for performance, We wear one another, 2019
- Untitled (for a rain gut parka made and worn near the Mackenzie Delta, Northwest Territories, collected by the Hudson’s Bay Company in 1924), 2019
- Determined by the river, 2017
- Horse Hair Question 1 and 2, 2016
- Slow Scrape and The Harvest Sturdies, 2014-2017
- Slow Scrape, 2013-2020
- eskimo kissing booth, 2012
- Works for Camera
- , not like us. Not like us, 2022
- Sensation is a circuit of experience, a circuit of the felt traveling in and adjacent to the body., 2022
- Vessel(s), 2021
- This moment an endurance to the end forever, 2020 (Excerpt)
- This moment an endurance to the end forever, 2020 (Excerpt)
- This moment an endurance to the end forever, 2020
- An amplification through many minds, excerpts
- An amplification through many minds, excerpts
- An amplification through many minds, 2019
- We wear one another, 2019 [Excerpts of rehearsal]
- We wear one another, 2019
- They fall the ground beneath you, 2018 (excerpt)
- They fall the ground beneath you, 2018 (excerpt)
- They fall the ground beneath you, 2018
- The treaty is in the body, 2017
- The treaty is in the body (sister video), 2017
- ...you are judged to be going against the flow because you are insistent., Part 2, 2017 (Excerpt)
- ...you are judged to be going against the flow because you are insistent., Part 2, 2017 (Excerpt)
- ...you are judged to be going against the flow because you are insistent., Part 1, 2017 (Excerpt)
- ...you are judged to be going against the flow because you are insistent., Part 1, 2017 (Excerpt)
- ...you are judged to be going against the flow because you are insistent., Parts 1 and 2, 2017
- Event scores for Afognak Alutiit (abridged), 2016-2020
- Slay All Day, 2016
- Untitled, 2016
- the the, 2014
- In Memoriam, 2012
- Hands, 2011
- Hands, 2011
- Isuwiq-waq, 2009
- Works on paper and photographs
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