Remai Modern asked me a few questions about this time for Field. There are several other artists who have contributed as well.
https://remaimodern.org/field/read/tanya-lukin-linklater-questionnaire
- Weather
- Feel winter. When tea warms breath—throat, 2023
- The sky held me (rainfall on hands hair lips), 2023
- The sky held me, 2023 (excerpt of rehearsals)
- The sky held me, 2023 (excerpt of rehearsals)
- The sky held me, 2023 (excerpt of rehearsals)
- Hair Prints, 2022
- Hair Prints Rehearsals, 2022-2023
- Structures of sustenance, 1 and 2, 2023
- Held in the air I never fell (spring lightning sweetgrass song), 2022
- grassesgrassesgrasses, 2022
- go go, 2022
- Breastbone to sunrise, 2021
- This moment an endurance to the end forever, 2020
- This moment an endurance to the end forever, 2020
- This moment an endurance to the end forever, 2020 (Excerpt)
- This moment an endurance to the end forever, 2020 (Excerpt)
- Works in relation to ancestral and cultural belongings
- A gentle reassembly, 2022
- Flat vessels made by the hands of our grandmothers that we discern and decipher as potential messages of repair, 2019
- An amplification through many minds, 2019
- An amplification through many minds, excerpts
- An amplification through many minds, excerpts
- Untitled (for a rain gut parka made and worn near the Mackenzie Delta, Northwest Territories, collected by the Hudson’s Bay Company in 1924), 2019
- We wear one another, 2019
- We wear one another, 2019 [Excerpts of rehearsal]
- Attire for performance, We wear one another, 2019
- Indigenous architectures
- Spiritual Songs for Healing (2023)
- Indigenous geometries, 2019
- A song, a felt structure: We are putting ourselves back together again, 2019
- A song, a felt structure: We are putting ourselves back together again, 2019 [Excerpts of rehearsal]
- Text works, scored performances
- , not like us. Not like us, 2022
- Sensation is a circuit of experience, a circuit of the felt traveling in and adjacent to the body., 2022
- Vessel(s), 2021
- Slow Scrape, 2013-2020
- Slow Scrape and The Harvest Sturdies, 2014-2017
- Slow Scrape and The Harvest Sturdies, 2013-2017
- Untitled, 2016
- Untitled, 2016
- the the, 2014-2016
- the the, 2014
- mouchette, the 400 blows, ivan's childhood, 2013
- Orality
- The treaty is in the body, 2017
- The treaty is in the body, 2017 (excerpt)
- The treaty is in the body, 2017 (excerpt)
- The treaty is in the body (sister video), 2017
- How we mark land and how land marks us, 2017
- How we mark land and how land marks us, 2017
- ...you are judged to be going against the flow because you are insistent., Parts 1 and 2, 2017
- ...you are judged to be going against the flow because you are insistent., Part 2, 2017 (Excerpt)
- ...you are judged to be going against the flow because you are insistent., Part 2, 2017 (Excerpt)
- ...you are judged to be going against the flow because you are insistent., Part 1, 2017 (Excerpt)
- ...you are judged to be going against the flow because you are insistent., Part 1, 2017 (Excerpt)
- Performances/rehearsals in response to Indigenous art and dance histories
- They fall the ground beneath you, 2018
- They fall the ground beneath you, 2018 (excerpt)
- They fall the ground beneath you, 2018 (excerpt)
- Untitled (for Sonya Kelliher-Combs), 2018 [Excerpts of rehearsal]
- Untitled (for Sonya Kelliher-Combs), 2018
- Sun Force, 2017
- Sun Force, 2017 [Excerpts of rehearsal]
- Determined by the river, 2017
- A glossary of insistence, 2016
- He was a poet and he taught us how to react and to become this poetry Part 2, 2016
- He was a poet and he taught us how to react and to become this poetry, Part 2, 2016 [Rehearsal]
- An accumulation - A relief, 2016
- Alaska Native histories, languages, movements
- Event scores for Afognak Alutiit (abridged), 2016-2020
- Slay All Day, 2016
- Horse Hair Question 1 and 2, 2016
- Accompaniment, 2015
- grain(s), 2013
- In Memoriam, 2012
- eskimo kissing booth, 2012
- Site Sight, 2011
- Isuwiq-waq, 2009
- Early works
- BIO
- CV
- Contact
- News